![]() Films can illustrate our existence... they can distress, disturb and provoke people into thinking about themselves and certain problems. But not give the answers |
Joseph LOSEY |
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14.01.1909, La Crosse, Wisconsin, USA † 22.06.1984, London, England, GB |
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FILMS |
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The
Boy with Green Hair (Der Junge mit den grünen Haaren, 1948-USA)
Familiendrama mit Dean Stockwell |
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AWARDS |
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Großer
Jurypreis für Accident [Filmfestspiele Cannes
1967] |
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BOOKS |
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Michel Ciment: Le livre de Losey: entretiens avec le cinéaste.
Paris: Ramsay, 1986 |
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![]() Contents: List of Plates * Series Editors' Foreword * Acknowledgements * 1. Introduction: Joseph Losey and the crisis of historical rupture * 2. Losey in exile: 'The Sleeping Tiger' (1954); 'A Man on the Beach' (1955) and 'The Intimate Stranger' (1956) * 3. A question of background: Class and the politics of impulse in 'Time Without Pity' (1957); 'The Gypsy and the Gentleman' (1957); 'Blind Date' (1959) and 'The Criminal' (1960) * 4. Dystopic malevolence and the politics of collusion: Evan Jones' 'The Damned' (1961); 'Eve' (1962); 'King and Country' (1964) and 'Modesty Blaise' (1966) * 5. Harold Pinter's time-image: 'The Servant' (1963); 'Accident' (1967) and 'The Go-Between' (1970) * 6. Three allegorical fables: 'Boom!' (1968); 'Secret Ceremony' (1968) and 'Figures in a Landscape' (1970) * 7. Bertholt Brecht and 'Galileo' (1974) * 8. Gender matters: 'A Doll's House' (1973); 'The Romantic Englishwoman' (1975) and 'Steaming' (1985) * 9. A second exile: Losey in Europe * 10. Conclusion * Filmography * Bibliography * Index |
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